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I have a story to tell the world and most importantly the people of Ile-Ife. About 40 years ago, I was born into the Giesi Ruling House, Ojaja Royal Compound in the ancient city of Ile-Ife.
From birth, my life has been a journey; one that I embarked on, saddled with great conscientiousness when I became a responsible father at the age of 19, which shaped and groomed me for greater challenges ahead.
To cater for my family as a young father, I became very enterprising with the knack of building something out of nothing. This certainly increased my temperament for being successful in all my endeavours, as well as towing the right path as a responsible father.
Thus, in the following years, I was able to build a consortia of companies with a team of well-versed, highly skilled and unskilled professionals from scratch and with hard work and God’s providence. This has made me a huge employer of labour and a captain of industries. The story of Ile-Ife begins as the cradle of civilization and has spread its tentacles beyond Black Africa.
The Ooni stool is highly revered and exalted and as the world looks on; our strength and emphasis need to be injected into the development of Ile-Ife as a beacon of hope and enviable city.
Spiritual home of all Yoruba
Suffices to say that Ile-Ife is the ancestral and spiritual home of all Yorubas, bona fide, in Nigeria and the Diaspora, and the World Headquarters of the House of Oduduwa, which comprises people resident in nearly all the continents of the world.
Thus, the Ooni, as the head of the vast Oduduwa family, must be no less versatile and resourceful. Available evidences from the curatorial community and archaeological discoveries have put the origin of Ile-Ife around 2000 years BC.
Around this time, the people of Ile-Ife have distinguished themselves in technology and cultural advancement.
A notable fact in this direction is Ori-Olokun: though purportedly ‘discovered’ by the famous German archaeologist Leo Frobenius in 1910, but had been in existence for thousands of years.
Discovery: The pure-copper sculpture took the entire arts world by storm at the time of its discovery that experts from the West argued that the artefact was a mystery that was too sophisticated to have been created by African hands.
However, after careful examinations of other works, profusely located in and around the city and bearing striking resemblance, the world accepted the truth that the advanced people of Ile-Ife had, not only wielded the technology to turn iron to alloy but also of moulding abstract artworks out of the product.
Consequently, it is now accepted by the curatorial community that the advanced artistic techniques used to create the sculpture were more advanced than those of Renaissance Italy, and comparable to those of [the artist] Donatello.
Yet, Ile-Ife has not taken its rightful position as the ‘source’ of civilization despite her wealth of history, culture and tradition.
Having found ourselves in such state of affairs where the potential of the land remains untapped and its people lacking economic and social emancipation, we should all take it upon ourselves to redress this situation.
Redressing the situation
The Ile-Ife of ‘my dream’ will be strategically positioned to empower its people socially, economically and culturally to bring about the desired developments. Now, with our resolve to transform Ile-Ife we are ‘SET’ to leave no stone unturned, in the drive to put Ile-Ife on the map of the world. Our ultimate goal is to reposition the House of Oduduwa as a worthy example of successful inward-looking community.
At this juncture, I consider it pertinent to share with everyone the account of how Nigeria as a nation came to be. The Royal Niger Company was a mercantile company charter by the British government in the nineteenth century. It was formed in 1879 as the United African Company and became the Royal Niger Company in 1886. By 1900 it went through several name changes and in 1914
